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Skinzlivez (October 10, 2008 at 6:10 am)
"Dilegua, o notte! Tramontate, stelle! Tramontate, stelle! All'alba vincerò! Vincerò! Vincerò!""Vanish, o night! Set, stars! Set, stars! At daybreak I shall win! I shall win! I shall win!"
s4m222 (October 10, 2008 at 2:03 am)
question is he mic'ed up?
deviljulian (October 7, 2008 at 5:17 pm)
Of course NOT!!!! It was a B4.
yfjameslo (October 6, 2008 at 5:13 pm)
Oh my god that last note was an A4... I wish I could reach that note... PAVAROTTI FOREVER!
kittymiiow (October 6, 2008 at 5:10 am)
Angel's voice
03102 (September 27, 2008 at 12:45 am)
Wow, that was deep.
35mm35 (September 24, 2008 at 4:06 am)
I have often thought that Puccini would have loved Pavarotti. ---O'Ross
jacky217 (September 22, 2008 at 4:20 am)
Turandot works unbelievably well with marching. My school's band is doing a completely original marching show from 4 of Puccini's works. Now that is musical fusion.
dolofonos (September 22, 2008 at 2:39 am)
I may be wrong. Still, it seems to me a logical impossibility that anyone who truly appreciates music would interrupt it with clamor. Even after a movement is finished I am unable to fully absorb what I've heard in those few seconds before the onslaught of clapping. For me, there is no need to disturb my body with motion save perhaps to rise for I've already a wave of chills running up and down me--the sensation is halted and robbed of me when people must clap.
Generalterz (September 21, 2008 at 2:10 pm)
i somehow agree ... but on the other hand it's pure enthusiasm ... i think they know how to behave in an opera house, but could not else but clap when hearing lucano |